At around five o’clock this afternoon, just inside the entrance to Lincoln’s Arboretum public park, a band started playing. I must point out that this was a band of the musical variety, just in case you thought it might have been one of the many bands of ne’er-do-wells that are regrettably over-abundant in the Arboretum area.
To the best of my knowledge this was a totally impromptu musical performance. (I certainly don’t recall seeing any flyposters advertising the event.) And this might give you the impression, especially if you don’t know the Monks Road area of Lincoln very well, that this is Lincoln’s equivalent of, perhaps, somewhere like Montmartre in Paris: an area that is thronging with artistes of all kinds, who might spontaneously erupt into song at any moment.
Well, there are indeed plenty of artistes in the area. But, judging from what usually passes the Frumplingtons windows, they are mostly piss-artistes, and the only thing they might spontaneously erupt into at any moment is random violence; or, on a good day, expletive-ridden shouting matches instead.
But hey, I’m not working for the Tourist Board. I’m doing the first ever Frumplingtons gig review. Let’s get back to the action…
Among other things, the band played several cover versions of Shania Twain and Texas songs. (Somehow, I can’t imagine the real Sharleen Spittoon of Texas playing this kind of venue, but you never know…) As far as I could tell there were more bum notes than a tramps’ orchestra. (By the way, I might have used that simile before somewhere. If I have, and you can prove to me that I have, I shall award you a prize: a year’s free subscription to The Frumplingtons blog. Second prize will be two years’ subscription.)
Unfortunately, I am unable to furnish any keen readers with the name of today’s performers, because I didn’t actually go and see them. They were perfectly loud enough to be heard right here in our living room; the Frumplingtons pied-à-terre is less than a hundred yards from where this racket was taking place, and when the anonymous band (in fact, I think that’s what we’ll call them : The Anonymous Band) first started playing, I was watching the snooker on tv. More to the point, I was trying to listen to the hushed and reverential tones of the snooker commentators. The commentary was, alas, made completely inaudible by The Anonymous Band’s efforts.
Even worse, Shana was having her afternoon nap. Shortly after today’s gig got underway Shana appeared in the bedroom doorway, sans jimjams (although I might have imagined that bit) and with furrowed brow and gave her own gig review, to wit: What’s all that bloody noise supposed to be?
Shana is nothing if not forthright in her views. If the NME would like to offer her a regular reviews column I would be only too happy to put them in touch. I must warn them though, my fees as sole agent are likely to be nothing short of astronomical.
Chris